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Freeway, 1984, oc, 68x54 inches.jpeg

ON THE EDGE

 Los Angeles Art, 1970s - 1990s,

From The Joan and Jack Quinn Family Collection

GROUP EXHIBITION

ON THE EDGE

 Los Angeles Art, 1970s - 1990s, from The Joan and Jack Quinn Family Collection

September 30, 2021 - April 2, 2022

Bakersfield Museum of Art

1930 R Street, Bakersfield, CA 93301

Astrid Preston, Freeway, 1984

Astrid Preston, Freeway (1984)

Joan Agajanian Quinn and her late husband Jack represent a key moment in the history of contemporary art, as Los Angeles came to symbolize an innovative and prolific brand of creative freedom. Few individuals have left such an indelible mark on the artistic landscape of Southern California more than Joan and Jack Quinn. Joan found herself both muse and promoter of several Southern California artists, while Jack used his skills as a prominent and influential attorney to help an array of emerging artists and their dealers navigate the worlds of law and business.

Known for her charisma, intelligence and incomparable flamboyance, Joan Agajanian Quinn has served as inspiration for artists such as Robert Mapplethorpe, Jean-Michel Basquiat, David Hockney, Ed Ruscha, Zandra Rhodes, Larry Bell, Frank Gehry, Ed Moses, Helmut Newton, Billy Al Bengston, Antonio Lopez and many others.  As artists sought to record her image across a variety of media, Joan Quinn found herself with one of the world’s largest and significant collections of contemporary portraiture - a poignant representation of friendship, appreciation, and respect.

This exhibition highlights the couple’s collection primarily amassed from the 1970s to 1990s. Much of the work was collected directly from the artists and has never changed hands or been shown publicly. Works in the exhibition will explore various themes such as Ferus Group “Cool School,” Gagosian, female artists, Finish Fetish, Documentary, Light and Space/Minimalism, Chicano Art, Pop Art, nature vs. urban landscape, and international artists and influences.

Exhibiting Artists

Lita Albuquerque

Peter Alexander

Carlos Almaraz

Elsa Flores Almaraz

John Altoon

Steven Arnold

Charles Arnoldi

Don Bachardy

Jean-Michel Basquiat

Larry Bell

Lynda Benglis

Billy Al Bengston

Tony Berlant

Richard Bernstein

Derek Boshier

Lee Brevard

Huguette Caland

Carole Caroompas

Tommy Carraway

Vija Celmins

Greg Colson

Ron Cooper

Ron Davis

Woods Davy

Dora De Larios

Roy De Forest

Tony Delap

Richard Diebenkorn

Laddie John Dill

Robert Dowd

Gregory Wiley Edwards

Marie Lalanne Elfman

Ned Evans

Shepard Fairey

Claire Falkenstein

Joe Fay

Jud Fine

Jim Ganzer

Charles Garabedian

Frank Gehry

Joe Goode

Robert Graham

Chaz Guest

Chris Gulker

Chris Hartunian

James Hayward

George Herms

David Hockney

Edward Kienholz

E.F. Kitchen

Jim McHugh

Andy Moses

Ed Moses

Gwynn Murrill

Helmut Newton

Ara Oshagan

Astrid Preston

Ken Price

Mel Ramos

Bruce Richards

Matthew Rolston

Allen Ruppersberg

Edward Ruscha

Alexis Smith

Kent Twitchell

John Valadez

Beatrice Wood

Tom Wudl

Lloyd Ziff

BAKERSFIELD MUSEUM OF ART

On the Edge: Artist Symposium - California Ethos: Conceptualism and Literalism

INTRODUCTION

BMoA Curator of Collections and Exhibition Rachel McCullah Wainwright introduces viewers to the history and relationships that form the Quinn family collection and its significance to the history of West Coast artmaking.

My painting Freeway, 1984, reflects the revival of image painting and the combining of observation and metaphor. The Romantic notion of Los Angeles as a paradise of light and space continues to influence my current work. The sense of smog, acid sky and sunset in Freeway emphasizes the noir of Los Angeles. The optimism and the dark elements of that period are still felt today. The road, the metaphor of the journey, is more subtle now. Currently my observations and images come from multiple sources.

Photo: Alan Shaffer Photography. 

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© 2014-2025 by Astrid Preston. All Rights Reserved. Designed by Studio Nobu.

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